Am I nuts (wait, there's more!) or is there a "difference" between the section of One King from 5.16 to 5.30 on Lex Rex and its counterpart on Live@NEARFest? It's the small section immediatedly after the fusion-y Rhodes(?) type keyboard bit that begins with a pair of 4-notes descending.
I find that it doesn't seem just as fluid live as on album. Admittedly its just a minor thing but I am curious if anyone can
a) hear what I'm talking about, and
b) know how to describe it without my furious handwaving

OK, all musicians reading this can now stop bloody laughing

